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Resume Artist, Actor, Singer Songwriter, Writer, DJ, Producer, Photographer and former Systems Programmer. Subject to equal spurts of genius and brain fog.

 

Cast=Emraan Hashmi

countries=India

Synopsis=The Body is a movie starring Emraan Hashmi, Rishi Kapoor, and Sobhita Dhulipala. When the body of a powerful businesswoman disappears from the morgue, the inspector in charge hunts for the truth. But when he questions her husband he

Oriol Paulo

7,3 / 10 Star

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Every body everything movie stream. The Body - Die Leiche ist ein Mysterythriller aus dem Jahr 2012 von Oriol Paulo mit Hugo Silva, Belén Rueda und Aura Garrido. In dem spanischen Thriller The Body löst sich eine in die Pathologie gelieferte Leiche plötzlich in Luft auf. The body movie stream. The Body Movie stream new.

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I love you. I love the movie. Waited this song since long. shooted most part of it in front of me😍😍😍. what an experience. #mauritius loved the shoot. instagram #grapysoapy. The latest Emraan Hashmi’s film The Body (2019) received quite well responses from the critics. However, still, it did not collect a good amount at the box office. The movie is directed by Jeethu Joseph and is a Hindi remake of 2012 Spanish filmmaker Oriol Paulo’s The Body. The film is a thriller and is a mystery story about a missing body. The story is regarding Maya Varma (Sobhita Dhulipala), is a rich businesswoman. She is killed, and her body goes missing from the mortuary. Her marriage with Ajay Puri (Emraan Hashmi) was on the rocks, and the movie gets straight to the point by uncovering Ajay’s purpose of marrying Maya. Ajay always had the thought of killing Maya. Once the Body goes missing, Rishi Kapoor (SP Jairaj Rawal), the local investigator, finds that Ajay is behind the murder. The Body to stream on Netflix soon The Body movie will be streaming digitally on Netflix from 24th February 2020. The film released on 13th December 2019 and ran decently at theaters. The movie’s outcome is good and is due to the lead actors’ performance and story. Watch The Body trailer below: The Budget for the movie is approx 30crores, and it did not fare well at the box office and hardly collected 15 crores. Even though critics rated it well, the audiences did not receive the film well. The Body movie was rated 6. 4 out of 10 on IMDb, and critics rated 2. 8 out of 5. We will update the link of the film streaming on Netflix as soon as it is released. So, stay tuned to watch it on Netflix.

My eyes are swollen on the first 30 mins of these freaking beautiful movie. 😭❤️ You should see my face till am finished watching. Ugh❤️❤️❤️❤️❤️. Here 2020 cus I'm still waitin on Rihanna to drop a out to Wale. "Burning, " "Roma, " and "Atlantics" are just a few of the critically acclaimed international movies available to stream. Well Go USA/Netflix Bong Joon Ho's South Korean thriller "Parasite" swept at the Oscars. It's one of only 11 international movies to ever be nominated for best picture. It's the first to win. There are many critically acclaimed international films that viewers can watch, thanks to sites like Netflix, Hulu, and Amazon Prime. Here are some of the best international movies available to stream right now, including "Roma" and "Burning. " Visit Insider's homepage for more stories. Bong Joon-ho's South Korean thriller " Parasite " swept at the 2020 Oscars, winning for best director, best international feature film, best original screenplay, and best picture. It's one of only 11 international movies ever nominated for best picture and the first to win.  When director Bong Joon Ho accepted the Golden Globe for best foreign language film earlier this year, he made a pointed remark to American audiences via a translator: "Once you overcome the 1-inch-tall barrier of subtitles, you will be introduced to so many more amazing films. " Luckily for viewers, streaming sites have made it easier than ever before to enjoy international movies. Here are some of the excellent films from around the world to stream right now. 2018's "Roma" is the story of a woman working as a maid in 1970s Mexico City. Yalitza Aparicio and Marina de Tavira in "Roma. " Netflix Where to watch: Netflix Synopsis: Based on director Alfonso Cuarón's memories of his childhood nanny, " Roma " follows an indigenous Mexican woman named Cleo as she works for an unraveling middle-class family in 1970s Mexico City. The film went on to win three Oscars ( best foreign language film, director, and cinematography), becoming one of Netflix's most awarded original films. "['Roma'] achieves the rare feat of making the personal authentically political, not through explicit polemic or tortured metaphors, but simply by observing life with enough perspective to reflect it in all its contradictions, " wrote The Washington Post critic Ann Hornaday. The 2019 supernatural romance "Atlantics" tells a haunting ghost story set in modern-day Senegal. Mama Bineta Sane and Ibrahima Traoré in "Atlantics. " Where to watch: Netflix Synopsis: Set in the capital city of Senegal, Mati Diop's "Atlantics" is a contemporary ghost story, a supernatural exploration of class, and a romance all in one. Ada, the film's 17-year-old protagonist, is betrothed to a wealthy older man, but she's in love with a young construction worker named Souleiman. When he and his colleagues decide to sail across the ocean to Europe after going months without pay and disappear, his ghost reappears in Ada's life as she also dreams of escape. "'Atlantics' remains a deeply romantic work that magnetized the fears of people trapped by their surroundings and striving for the companionship that can rescue them from despair, " wrote Eric Kohn for Indiewire. In the 2018 South Korean mystery thriller "Burning, " a young aspiring author investigates a friend's disappearance shortly after she meets a wealthy older man. Lee Jong-su, Jong-seo Jun, and Steven Yeun in "Burning. " CGV Arthouse Where to watch: Netflix Synopsis: Based on a short story by iconic Japanese author Haruki Murakami, "Burning" follows a poor farmer and aspiring novelist, Jong-su, who bumps into his former neighbor, a girl named Shin-Hae-mi (Jong-seo Jun), who leaves to travel soon after they enter the beginnings of a relationship. When she disappears soon after returning with a wealthy older man, Jong-su's investigation into what happened to her evolves into a slow-burn critique of South Korean class struggles. Former " The Walking Dead " star Steven Yeun turns in a career-best performance as Ben, the mysterious man involved with Shin Hae-mi. "'Burning' offers the opposite of instant gratification, creating a slow dramatic simmer that intensifies gradually over two-and-a-half perfectly measured hours, until it reaches a shocking and powerful crescendo, " wrote A. A. Dowd for The A. V. Club. The 2018 drama "Shoplifters" is a heartbreaking, poignant look at found families and class struggles in Japan. The ensemble cast of "Shoplifters. " GAGA Pictures Where to watch: Hulu Synopsis: In Hiorkazu Koreeda's "Shoplifters, " a ragtag group of petty thieves scraping by just outside of Tokyo take in an abused young girl. As their illusion of nuclear family is called into question, the director investigates the collapsing Japanese state system and the definition of family outside of biological relatives. "At once charming and heart-wrenching, this exquisitely performed film will steal the hearts of both art-house and mainstream audiences, " wrote Variety critic Maggie Lee. The 2001 coming-of-age film "Y Tu Mamá También" follows two teenagers who embark on a road trip across Mexico with an older woman. Gael García Bernal, Diego Luna, and Maribel Verdú in "Y Tu Mamá También. " IFC Films Where to watch: Netflix Synopsis: Seventeen years before "Roma, " Cuarón told a sensual coming-of-age story about two Mexican teenage boys who take a summer road trip with a woman in her late twenties in "Y Tu Mamá También. " The movie is set against the backdrop of the economic and political upheaval of 1999 Mexico and was nominated for two Academy Awards (best original screenplay and best foreign language film). "'Y Tu Mamá También' manages to be comic, dramatic, erotic, sociological and even political, all without breaking a sweat, " wrote Kenneth Turan for The Los Angeles Times. The 2016 drama "The Handmaiden" is a lesbian romance and revenge thriller. Min-hee Kim and Tae-ri Kim in "The Handmaiden. " Amazon Studios Where to watch: Amazon Prime Synopsis: Set during Japan's occupation of Korea in the 1930s, Park Chan-wook's " The Handmaiden " centers on a woman (Kim Tae-ri) who falls in love with the Japanese heiress (Kim Min-hee) whose inheritance she has been hired to help steal. The film won the award of best film not in the English language at the 2017 BAFTAs. "'The Handmaiden' is just pure cinema, a dizzying, disturbing fable of love and betrayal that piles on luxurious imagery, while never losing track of its story's human core, " wrote The Atlantic critic David Sims. Hulu's 2019 Macedonian documentary "Honeyland" was nominated for two Oscars in 2020: best documentary feature and best international feature film. Hatidze Muratova in "Honeyland. " KJ films Where to watch: Hulu Synopsis: " Honeyland, " which was nominated for best documentary feature and best international feature film at the 2020 Oscars, follows the last female bee-hunter in Europe (specifically, Macedonia). When nomadic beekeepers invade her property and threaten her livelihood, she is tasked with saving her bees. "'Honeyland' is both an immersive experience and an undeniably gorgeous reflection on our relationship to nature, " wrote Monica Castillo for. In the 2019 animated fantasy "I Lost My Body, " a severed hand escapes from a Paris laboratory while a Moroccan immigrant falls in love with a librarian. Hakim Faris and Victoire Du Bois costar in Netflix's "I Lost My Body. " Where to watch: Netflix Synopsis: Netflix's animated feature " I Lost My Body " tells the story of Nauofel, a Moroccan immigrant and pizza boy in Paris who falls in love with a librarian. While these events are taking place, a severed hand escapes from a dissection laboratory and attempts to find its body again. Vulture critic Bilge Ebiri described it as "a gloriously hand-animated existential fable that manages to be both genuinely sweet and thoroughly twisted. " "Parasite" director Bong Joon Ho's previous movie, the 2017 Netflix original "Okja, " satirizes animal cruelty within the food industry by telling the story of a South Korean girl separated from her giant pet pig. Seo-hyun Ahn in "Okja. " Where to watch: Netflix Synopsis: Before directing best picture winner "Parasite, " Bong Joon Ho helmed the Netflix original movie " Okja. " It follows a young South Korean girl fighting to save her best friend, Okja, a super-pig that belongs to a corrupt international corporation. "It's a testament to Bong's sprawling ambition that Okja manages to be so many things at once — a caustic satire of corporate evil, an intercontinental action/adventure epic, a coming-of-age narrative for the girl, " wrote Newsweek journalist Zach Schonfeld. As strange as its premise may seem, the 2015 Irish sci-fi romance "The Lobster" is an endearing, off-beat satire of modern relationships. Colin Farrell and Rachel Weisz in "The Lobster. " The Lobster Where to watch: Netflix Synopsis: In the dystopian near-future of Yorgos Lanthimos' " The Lobster, " single people who do not find a romantic partner in forty-five days are turned into animals. The Irish film was praised for its strange but affecting satire of loneliness and societal pressures to couple. "Lanthimos forgoes easy sentiments about the transformative power of love, " wrote The Chicago Reader critic Leah Pickett. "This may turn off viewers, but there's a certain liberation and even some relief in knowing that societal pressure to settle down can be just as cruel as loneliness. " The 2016 action film "Train to Busan" follows a father and daughter's fight to survive when a zombie outbreak occurs in South Korea. Yoo Gong in "Train to Busan. " Next Entertainment World Where to watch: Netflix Synopsis: A father and daughter are on the titular " Train to Busan " in South Korea when a zombie virus breaks out aboard the vehicle. The Times critic Kate Mulr described "Train to Busan" as "a smart horror that contrasts the hyper-cleanliness and efficiency of South Korean life with bloody, neck-biting chaos. " In the 2019 romantic drama "Rafiki, " the daughters of two rival Kenyan politicians secretly fall in love. Samantha Mugatsia and Sheila Munyiva in "Rafiki. " Big World Cinema Where to watch: Kanopy Synopsis: In the first LGBT film to ever screen in Kenya ( where gay relationships are illegal), "Rafiki" tells a love story between Kena and Ziki, who are the daughters of rival politicians. While many critics noted that the movie's coming-of-age tale of forbidden love was familiar, its cultural context and bright Afro-Pop aesthetics were notable. "This is a story that may have been told before, sure, but never in this context before, " wrote Gwllym Mumford for The Guardian. "That alone seems worth celebrating. " The 2001 French classic "Amélie" follows the exploits of its optimistic Parisian heroine. Audrey Tautou in "Amélie. " UGC-Fox Distribution via Amazon Prime Where to watch: Hulu Synopsis: One of the more internationally successful of many French romantic comedies, "Amélie" centers around the escapades of its titular heroine, an idealistic and naive young woman in Paris who is inspired to improve the lives of the people around her. The movie was nominated for five Oscars and later inspired a short-lived Broadway musical of the same name starring " Hamilton " actress Phillipa Soo. "'Amelie' is one of those once-in-a-decade comedies which scatters its charm like pearls from a broken necklace, all the more adorable because they are not real, " wrote The Times critic Barbara Ellen. In the eerie 2006 Spanish fairy tale "Pan's Labyrinth, " a girl retreats from the violence of World War II into a fantastical underworld. Ivana Baquero and Doug Jones in "Pan's Labyrinth. " New Line Cinema Where to watch: Netflix Synopsis: Before director Guillermo del Toro won best picture for 2017's "The Shape of Water, " he had already created an Oscar-winning movie — "Pan's Labyrinth. " Set during Spain in World War II, it follows the bookish stepdaughter of a sadistic army officer away from the war and into an eerie, fantastical underworld. "Guillermo del Toro has crafted a masterpiece, a terrifying, visually wondrous fairy tale for adults that blends fantasy and gloomy drama into one of the most magical films to come along in years, " wrote The Associated Press critic David Germain. Kristen Stewart played a high fashion personal shopper attempting to make contact with her late brother in the 2017 French ghost story "Personal Shopper. " Kristen Stewart in "Personal Shopper. " Where to watch: Netflix Synopsis: Kristen Stewart stars in "Personal Shopper" as a fashion consultant and spiritual medium in Paris attempting to make contact with her twin brother, who passed away there. In the process, she begins to receive strange anonymous texts. Stewart, in particular, was praised by critics for her magnetic, aching performance in the horror-drama. "['Personal Shopper'] is a riveting, impossible-to-shake masterwork that leaves the audience spooked, not by its telling but by its commitment to abstract themes of grief, solitude and coming of age, " wrote Durga Chew-Bose for The Globe and Mail. The 2019 Chinese crime drama "Ash is Purest White" tracks the long-term romance between a mobster couple. Cohen Media Group Where to watch: Kanopy Synopsis: A long-spanning tale of the Chinese jianghu criminal underworld, "Ash is Purest White" tracks the relationship between two mobsters from 2001 to 2017. Along the way, director Jia Zhangke pulls away from their immediate rivalries and explores China's rapid economic and cultural change in the 21st century. "This is a movie about how time and circumstance conspire to make dazed, restless wanderers of us all, " wrote The Los Angeles Times critic Justin Chang. Actor Chiwetel Ejiofor directed 2019's "The Boy Who Harnessed the Wind, " which tells the true story of a boy in Malawi building a windmill to save his village. Chiwetel Ejiofor and Maxwell Simba in "The Boy Who Harnessed the Wind. " Where to watch: Netflix Synopsis: Actor Chiwetel Ejiofor made his directorial debut with Netflix's "The Boy Who Harnessed the Wind, " which tells the true story of a 13-year-old boy in Malawi who saves his village from famine by learning to build a windmill. "['The Boy Who Harnessed the Wind'] feeds our hunger for inspiring tales in these desperate times with a beautifully engineered narrative latticework of hardship, hope, and know-how, " wrote Robert Abele for The Los Angeles Times. The 2014 South Korean sci-fi epic "Snowpiercer" imagines a dystopian future where the only humans left behind after an apocalyptic event fight for survival aboard a constantly moving train. Chris Evans and Ko Asung in "Snowpiercer. " RADius/TWC Where to watch: Netflix Synopsis: Another Bong Joon-ho film available to stream on Netflix, "Snowpiercer" takes place in a future where a failed climate-change experiment has wiped out all life except a handful of people who boarded a train that travels around the world. In line with the class struggles explored in "Parasite, " the movie follows the violent new class system that has emerged among them. "Avengers" actor Chris Evans and Tilda Swinton costar in the ensemble cast.  "['Snowpiercer' is] a wicked, violent parable, and one of the only movies of the summer worth talking about after the credits roll, " wrote Jim Slotek for The Toronto Sun. "I Am Not a Witch" is a 2017 Zambian satire that centers on a young girl in a traveling witch camp. Maggie Mulubwa in "I Am Not a Witch. " Artificial Eye Where to watch: Kanopy Synopsis: In Rungano Nyoni's "I Am Not a Witch, " an 8-year-old Zambian girl named Shula is found guilty of witchcraft and sent to live in a traveling witch camp. The movie teeters gracefully between satire and drama, taking jabs at superstition and non-Western exploitation with an impressive performance from its young lead. "['I Am Not a Witch'] blends deadpan humor with light surrealism, vivid visuals, and left-field musical choices, " wrote Stephen Dalton for The Hollywood Reporter. The 2019 Mexican crime fantasy "Tigers Are Not Afraid" follows a girl who joins a street-dwelling gang of children to search for her missing mother. The ensemble cast of "Tigers are Not Afraid. " Shudder Where to watch: Amazon Prime/Shudder Synopsis: "Tigers are Not Afraid" is a dark, contemporary fairytale about a Mexican girl who joins a gang of five children to find her missing mother in the midst of local cartel violence. "Blending the often frightening surrealism of a child's wild imagination with the blood-splattered realism of the drug cartels, 'Tigers Are Not Afraid' is a highly original horror story made for these times, " wrote The Houston Chronicle critic Cary Darling. Disclosure: Mathias Döpfner, CEO of Business Insider's parent company, Axel Springer, is a Netflix board member. More: Features Movies Roma.

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I got three As and three C's and two B's. I'm a mesomorph with hypothyroidism so am I low carb tolerance. From Netflix to Amazon Prime, Disney+ to the Criterion Channel, here are the best movies coming to each streaming platform this month. Netflix  may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent  streaming  platforms caters to its own niche of film obsessives. From chilling horror fare on Shudder, to the boundless wonders of  the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and, IndieWire’s monthly guide highlights the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them. Here’s the best of the best for February 2020. THE CRITERION CHANNEL “Close-Up” (Abbas Kiarostami, 1990) The Criterion Channel invariably offers the deepest and most compelling slate of any streaming service, but this month’s additions almost border on overkill; how is anyone supposed to choose where to start? The programming lineup kicks off Black History Month with 18 of Sidney Poitier’s most significant films (including “Lilies in the Field, ” “The Defiant Ones, ” “Cry, the Beloved Country, ” and of course “Guess Who’s Coming to Dinner”), and follows that up with Julie Dash’s essential “Daughters of the Dust. ” A series of foreign-language Oscar winners features a handful of masterpieces (ranging from the sweetness of “Babette’s Feast” to the epic deluge of “War and Peace”), a string of self-reflexive classics explores how the cinema has always been eager to look in the mirror (highlights run the gamut from “The Bad and the Beautiful” to “Symbiopsychotaxiplasm Take One” and “Adaptation”), and the remarkable Pioneers of African American Cinema package represents “a rich alternative history of American cinema forged by innovative artists who defied systemic oppression to tell their own stories on screen” (selected titles stretch from 1915 to 1946). If that’s not enough to keep you busy until March, the Channel is also adding 22 Jean-Luc Godard movies (including somewhat rarer gems like “A Married Woman”), five films by Mati Diop (“Atlantics” is exclusive to Netflix for the time being, but here’s the 2009 short that inspired it), a series of Montgomery Clift classics, a Wendy Hiller program that’s highlighted by “I Know Where I’m Going!, ” and more. Nominating just one title from this treasure trove should be absurd, and yet it’s an easy call, as the “Film Plays Itself” series includes what might be the single greatest film ever made: Abbas Kiarostami’s “Close-Up. ” Available to stream February 9 DISNEY + Disney / Pixar “Toy Story 4” (Josh Cooley, 2019) Disney Plus is still getting off the ground, and still struggling to reinvigorate its library with new film content every month. The best movie coming to the service in February is one of the only movies coming to the service in February, though it did just happen to win an Academy Award, and it does happen to star the greatest spork in cinema history, Forky. To talk about “ Toy Story 4 ” is to talk about Forky. This is a movie that doesn’t initially appear to have any compelling reason to exist — the forced but satisfying third installment of Pixar ’s signature franchise seemed to wrap things up when it came out almost a full decade ago — and yet Forky alone is enough to elevate this potential cash-grab into the beautiful and hilarious coda that its long-running series needed to be truly complete. Forget Andy, forget Woody, and definitely forget that lame Buzz Lightyear (the writers of “Toy Story 4” already have), Forky is the god’s honest truth. He’s everything these films have been working towards. After 25 years, several billion dollars, and the rise of a cartoon empire that has become synonymous with top-drawer family entertainment, the beating heart of the “Toy Story” saga is best expressed by a plastic spork with mismatched googly eyes, a red pipe cleaner for arms, and an existential crisis that causes him to snap even though he technically can’t even bend. There are other things in “Toy Story 4, ” I suppose — something about Woody and the gang being waylaid at an antique shop, it’s hard to remember at this point — but Forky is there. Forky is always there. And it never feels like trash when he’s on screen. Available to stream February 1. FILM MOVEMENT+ “The Third Wife” (Ash Mayfield, 2018) In an alternate universe, Nguyễn Phương Trà My would have been invited to this month’s Oscars as a nominee for her extraordinary work in Ash Mayfair’s “The Third Wife, ” in which the first-time actress plays a 14-year-old Vietnamese girl who is married to a rural landowner and tasked with conceiving him a male child. A desolate but determined performance in a quietly staggering portrait of female agency and frustration, Nguyễn’s turn highlights one of the most affecting under-the-radar gems of recent years. Available to stream February 28. “Princess Cyd” (Stephen Cone, 2017) Hulu’s February lineup celebrates Valentine’s Day with a number of reliable love stories (including “When Harry Met Sally” and “Bridget Jones’ Diary”), but the best romance coming to the platform this month is a less heralded and more recent indie treasure from Chicago-based filmmaker Stephen Cone, although romance is hardly the only thing that “Princess Cyd” has on its mind. The story of a 16-year-old girl (Jessie Pinnick) who goes to stay with her novelist aunt (Rebecca Spence) for the summer — only to find herself amidst a raw but unexpected same-sex romance with a barista she meets in town (Malic White) —  the film gracefully expands into a tender exploration into the relationships between women who are separated by experience, generation, and layers of grief. It’s a diamond in the rough from a special filmmaker who’s delivered one uncut gem after another, and there’s no better time to familiarize yourself with his work. Available to stream February 15. IFC FILMS UNLIMITED “Personal Shopper” (Olivier Assayas, 2016) Reinventing the ghost story with radical directness and a singularly modern sense of self, Olivier Assayas’ “Personal Shopper” survived a dicey Cannes premiere to assume its place as one of the most affecting depictions of the grieving process ever committed to the screen. And somehow, even though it includes a scene in which a phantom projectile scream-vomits hot white ectoplasm into the air above Kristen Stewart’s face, it’s also one of the most realistic. Bracingly direct one moment and elliptical the next, “Personal Shopper” isn’t just a story about a young woman trying to connect with her brother across the great beyond, it’s also a knowing portrait of how technology shapes the way people remember the dead and process their absence. A numbed Stewart is brilliant as Maureen, a celebrity assistant who moonlights as a medium in the hopes of making contact with her dead twin. And since spiritualists have always been magnetized to spectacle, it’s only natural that Maureen is constantly staring at her iPhone, using it to google the paintings of Swedish mystic Hilma af Klint or watch an amusing clip from a (fake) old TV drama in which Victor Hugo conducts a hokey séance. These digital communions lend Assayas’ laconic thriller the feeling of a Russian nesting doll, each layer hiding a new dead body, and the film’s infamous centerpiece sequence managed to infuse the simple (and decidedly uncinematic) act of texting with Hitchockian suspense. Available to stream February 5. MAGNOLIA SELECTS Picasa “Tangerine” (Sean Baker, 2015) Magnolia Selects is reaching into the company’s robust library of movies for another solid month of programming, as the platform’s February lineup is highlighted by Roy Andersson’s masterpiece “A Pigeon Sat on a Branch Reflecting on Existence, ” Lars von Trier’s always-fascinating “Nymphomaniac, ” and Michael Almereyda’s “Experimenter” (a great way to get hyped for his upcoming Sundance biopic, “Tesla”). But our pick of the month is none other than Sean Baker’s “Tangerine, ” which placed high on IndieWire’s list of the 100 Best Movies of the Decade. Here’s what Jude Dry had to say about the film that made iPhones seem viable on the big screen: An audacious and infinitely re-watchable farce about a day in the life of two trans girls working the streets of downtown Los Angeles, Sean Baker’s “Tangerine” was both an instant classic, and a lightning rod for emerging trans cinema. Baker earned major points for casting actual trans women in the leads — a rarity in 2015 that has since become the norm — and his decision paid off in a big way; Mya Taylor and Kitana Kiki Rodriquez saturate the film in such delicious specificity that it’s almost enough to make you want to swear off professional actors altogether. Shot entirely on iPhone (with the help of an anamorphic adapter), “Tangerine” made waves when it premiered at Sundance in 2015. And sure, the cinematography is vibrant and alive in a way that no one has been able to replicate on a consumer-grade camera since, but the look of the film was only a means to an end. On the contrary, it’s the raw intimacy of Baker’s approach that made “Tangerine” an instant queer classic. Available to stream February 11. MUBI “A Faithful Man” (Louis Garrel, 2019) It’s hard — borderline impossible — to argue that Louis Garrel’s “A Faithful Man” is the  best  movie coming to Mubi this month, as this slight and extremely French romantic drama about a lopsided love triangle is up against four Takeshi Kitano classics (“Fireworks, ” “Violent Cop, ” “Boiling Point, ” and “Outrage: Coda”), Godard’s “The Image Book, ” Adina Pintilie’s Berlin-winning “Touch Me Not, ” an essential series about the post-war films of Yûzô Kawashima (don’t miss “Burden of Love”), and something called “The Red Phallus. ” But Garrel’s chatty and seductive second feature — at once breezy and moribund at the same time — is worth highlighting because it feels like an invitation for Mubi-curious movie-lovers out there to see what the hot professor from “Little Women” is doing when he’s not crushing on Jo March, and maybe find themselves pulled in to the wider Garrel Cinematic Universe, which stretches back to essential but frequently overlooked veins of the French New Wave. “A Faithful Man” again sees Garrel casting himself as a brooding hunk with great hair who finds himself the object of several competing affections (the candidates here are Lily Rose-Depp and Garrel’s wife Laetitia Casta, who plays an ex who returns to him after being widowed). But if the geometry of the love triangle is as playful as you might expect, “A Faithful Man” is considerably more somber than Garrel’s previous “Two Lovers, ” as this ultra-watchable film hinges on deeper questions about the centrifugal force that binds people to each other (for better or worse). Pull on this string and there’s no telling what you might be able to unravel. As a bonus, it’s also perfect Valentine’s Day viewing for single people. Available to stream February 14. NETFLIX “Blade Runner: The Final Cut” (1982/2007) There’s no shortage of great movies coming to  Netflix  in February 2020, as the streaming giant’s typically eclectic release slate runs the gamut from recent favorites like “Good Time” and “Anna Karenina” to unimpeachable ’90s classics like “Jerry Maguire” and “Starship Troopers. ” And while Netflix’s library of older films continues to dry up, the addition of must-see ’80s movies like “ Blade Runner ” and “Purple Rain” might help to ease the pain, or at least keep you busy while you figure out what to watch next on The Criterion Channel. The only version of “Blade Runner” over which Ridley Scott had complete and unimpeded artistic control, this 117-minute cut was assembled in honor of his masterpiece’s 25th anniversary back in 2007, and there’s certainly a definitive quality about it (the full unicorn dream sequence has been restored, which canonically tees up the events of “Blade Runner 2049”). If you’ve never seen one of the greatest sci-fi films ever made, this is the best way to get familiar — it’s essential viewing for anyone living in a dystopia of their own (that’s you). But don’t delay, as great movies have a tendency to disappear off Netflix before too long. I’ve seen things you wouldn’t believe: “Inception. ” “The Fellowship of the Ring. ” I’ve watched Sigourney Weaver blast a Xenomorph out into space until its lifeless rubber body glittered in the dark near LV-426. All those moments have been lost in time, like tears in the rain. “Nostalgia for the Light” (Patricio Guzmán, 2010) “The Cordillera of Dreams” may not have landed with the same seismic impact as the previous two films in Chilean filmmaker Patricio Guzmán’s loose trilogy of documentaries about the spiritual fallout of Pinochet’s coup d’etat, but the film’s imminent U. S. release is a wonderful opportunity to revisit some of the most stirring and elemental political cinema of the 21st century. OVID is marking the occasion by streaming a handful of Guzmán’s most acclaimed features, including 2001’s “The Pinochet Case, ” 2004’s “Savador Allende, ” and 2015’s incredible “The Pearl Button, ” which extrapolates a haunted portrait of historical memory from a single shirt button. But the crown jewel of Guzmán body of work likely remains 2010’s “Nostalgia for the Light, ” a stunning piece of speculative non-fiction that uses Malickian imagery of the galaxy around us to conflate the astronomical search for life with the Chilean search for answers to the most violent questions of Pinochet’s dictatorship. Available to stream February 6. AMAZON PRIME “The Farewell” (Lulu Wang, 2019) Amazon Prime has a small handful of compelling exclusives this month, including Amazon’s own “Honey Boy” (which is destined to find a passionate audience in the ancillary markets) and the much-loved TIFF breakout “Jallikattu, ” an Indian Malayalam-language action film about a bull that escapes from a remote slaughterhouse and begins terrorizing the village men who try to hunt it down. But our pick of the month has to be Lulu Wang’s Indie Spirit Award-winner “The Farewell, ” which earned a spot on IndieWire’s 100 Best Movies of the Decade list before it even opened in theaters. It may have been inexplicably overlooked at the Oscars, but we’ll be watching it for ages to come. Here’s what Deputy Editor Kate Erbland wrote about Wang’s beautiful and bittersweet Sundance hit for our decade-in-review feature: Lulu Wang’s breakout is predicated on a lie — a good one, perhaps the best kind — that the filmmaker herself propagated within her own tight-knit family circle, likely never dreaming how it would actually end (in real life) or what it would spawn (in movie life). Starring Awkwafina in a rightly lauded dramatic turn, “The Farewell” follows shiftless Chinese-American twentysomething Billi, who is horrified to discover that her beloved grandmother Nai Nai (a charming Zhao Shuzhen) is dying of cancer. But Nai Nai doesn’t know that and, if her family has any say, she’s not going to. Unable to stay away and with little rooting her to her current life, Billi hijacks her parents’ trip to China to spend Nai Nai’s final days with her — again, days that Nai Nai has zero idea have any special meaning — and discovers a family dealing with life in all its messy, unexpected glory. A true dramedy (a less graceful film would shout, “just like life! ” at every turn, and “The Farewell” doesn’t have to), the movie flows between crowded doctors’ appointment, one wonderfully over-the-top wedding, and enough scenes centered on tasty dim sum to leave audiences in screaming hunger pains. Along the way, Billi and her family are forced to deal with both their lie and the imminent goodbye Wang’s title implies, pushing them into reckonings that go far beyond just the singular tragedy they’re anticipating. The film might be built on dichotomies — American versus Chinese life, lies versus the truth, family versus everything else — but it coalesces into a rich and relatable slice of life that illuminates every topic it touches. Available to stream February 12. SHUDDER “Like Me” (Robert Mockler, 2018) Shudder, the online platform geared towards genre and horror cinema, is busting out the best month of new content in the streaming platform’s brief history. From unimpeachable classics like John Carpenter’s “The Fog” and “Escape from New York” to slightly more impeachable favorites like “Night of the Comet” and “Child’s Play, ” Shudder is ready to scratch your itch for vintage horror. But the service has never been one to neglect contemporary work, and its February selections speak to Shudder’s well-curated sense of where genre cinema is going. Yeo Sang-ho’s “Seoul Station” may not be as satisfying as its sequel “Train to Busan, ” but this animated nightmare about the dawn of Korea’s zombie apocalypse does things that would be impossible with live-action. And then there’s Robert Mockler’s criminally under-seen “Like Me, ” a web 2. 0 freakout that stars the great Addison Timlin as a physical manifestation of digital age desire and distress. When the time comes to nominate the movies that best captured what it was like to be extremely online in the second decade of the 21st century, “Like Me” should be at the top of the list. Available to stream February 3. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

What's the outro soundtrack. تايتنك😘😘😏😘😘. The spectators would have set fire to the cinema to obtain a refund having looked at this movie. Me janta hun teri na me ek chupi hui si ha h Mujhe pehle pta tha uski chupi ha h Very nice song🎶 Very nice line. Man that's John redcorn from King of the Hill. Dale must have knocked him off for tapping Nancy so much. "The Body" Official Trailer TVMA • Thriller, Horror • Movie • 2018 On Halloween, a hitman finds his work made more difficult when he has to transport a body, but everyone is enamored by what they think is his killer c... more Watch Trailer On Halloween, a hitman finds his work made more difficult when he has to transport a body, but everyone is enamored by what they think is his killer c... more.

Thank you so much. 3 wins & 10 nominations. See more awards  » Edit Storyline In the middle of the night, a guard working the night shift at a morgue located deep in the woods has a terrible car accident. But, why did the guard panic and left his post in the first place? Furthermore, according to the register, the body of Mayka Villaverde--a beautiful and affluent businesswoman--is mysteriously missing from the morgue. Presumably, Mayka died of a heart attack; nevertheless, who signed the death certificate, as her autopsy is still pending? In the end, there is a general principle in forensic medicine which specifically states that every death is a homicide until proven otherwise. But, finding out who is behind this fiendishly difficult case is going to be an arduous task. Can Inspector Jaime Peña get to the bottom of it? Written by Nick Riganas Plot Summary | Plot Synopsis Taglines: Hitchcock-style psychological thriller. See more  » Details Release Date: 21 December 2012 (Spain) Box Office Cumulative Worldwide Gross: $8, 779, 609 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Three of the male characters have the same names as Spanish and Argentinian Premier League footballers. See more » Goofs Traffic light switches from green to red and vice versa without displaying any orange. See more » Quotes Álex Ulloa: Who's that? Mayka Villaverde: Nobody. Were you talking about me? You won't like it. He's my new lawyer. What's wrong with Gloria? As well as being my sister, she's also your lawyer, and I want to revise our marriage contract. The property division. You can't be serious. I'm always serious with you. Even if I laugh at you constantly. You want everyone at your feet, don't you? Not everyone. You, yes... Got you! You handed that to me on a platter! [... ] See more » Connections Referenced in Tenemos de todo  (2013) Soundtracks November Performed by Nikol Kollars Written by Toni Saigi (as Toni Saigi Chupi) and Dani Espinet (as Daniel Espinet Nieto) 2012 Banda Sonora Original, S. L. BSO Sound Studio: Banda Sonora Original, S. See more ».

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